Levitation Technology: Leedskalnin’s Lost Secret
Edward Leedskalnin, a slight Latvian immigrant, arrived in Florida City in the early 20th century with a
bold claim: he knew how the pyramids were built. Alone, he crafted Coral Castle—a 10-acre marvel of
8-foot-high coral blocks, some weighing 30 tons—later moving it to Homestead. Today, it’s a tourist
draw, a testament to one man’s enigma. Was it brute force, or something more? This tale suggests
levitation technology, ancient and rediscovered, lies at its heart.
A Solo Feat Defying Logic
Picture a man, 5 feet tall and 100 pounds, quarrying, hauling, and stacking over 1100 tons of coral rock
by himself, often under night’s cover. Leedskalnin’s Coral Castle boasts walls, towers, even a 9-ton gate
that pivots with a finger’s push. He hinted at ancient secrets, not pulleys or levers, but a method
mirroring Egypt’s pyramid builders. Stonehenge, too, with its massive slabs trekked miles, whispers
of this lost art—levitation, wielded worldwide, yet veiled in shadow.
Clues in Plain Sight
The pattern hides openly. For centuries, it’s graced religious art—cathedral arches, stained glass,
doubloons, Ezekiel’s “wheels”—a levitation blueprint in symbols. Leedskalnin tapped it, perhaps with
a machine atop his tripod: a box, wires trailing, humming softly as stones rose weightless. No moving
parts, just current flowing in precise silence. His sculptures—chairs, moons—dot the site like riddles,
parts omitted or added to tease the truth.
The Ark’s Echo
Consider the Ark of the Covenant: 2.5 by 1.5 by 1.5 cubits (Exodus 25:10), a box matching the angel-
winged cherubim in art—and maybe Leedskalnin’s tripod device. The “Tree of Life” drawing, with its
1.25 height-to-width ratio, mirrors this shape. Was it a battery, a levitation engine? Sir Francis Bacon’s
cryptic name floats among such clues, hinting at knowledge buried in plain sight—Nazca lines, Mona Lisa’s
gaze, Poussin’s “immensely powerful” secret from 1656.
A Technology Suppressed
Leedskalnin died in 1951, and items vanished—his box among them. Why? Levitation offers free, clean
energy, a threat to wealth and control. Ancients wielded it; he revived it. From Oak Island’s mysteries
to Sumerian cones, evidence lingers—giants or angels of Genesis 6, perhaps, lifting stones before Noah’s
flood. Coral Castle stands as proof: not myth, but a craft we’ve forgotten, waiting to be reclaimed.
Whenever Ed was asked, why did you build it? He'd say, "Someday, my Sweet 16 will come".
Interestingly, the 16th letter of the Greek alphabet is pi, and it is the magnetic flow reversal
point also known as a diamagnetic vortex point. Levitation has to do with temporarily blocking
and redirecting the natural flow of electromagnetic currents, and π has to with levitation.
I observed the following clues:
Black and white pictures of Ed showing opposites (+ and -) as in electrical current.
The Admission-Container shaped like the Star of David is where people had to drop " 10 " cents.
Ed wrote, "Following is the result of my 2 years experiment with magnets at Rock Gate,
17 miles Southwest from Miami, Florida. Between 25 and 26 Latitude and 80 and 81 Longitude
West." Adds to 106 (4 x 26.5) The box on top of the tripod may have contained the working
machine. What happened to it? Also, notice that his living quarters is shaped as a 3 x 3 x 3 cube.
(The Moon fits the square and cube of 3)
Ed's display machine is incomplete, however the design that it is based on is a pattern displayed in
various locations all over the world, attesting to its importance and obviously understood by a few.
A few famous examples are:
Palace Square St. Petersburg, Russia; St. Peter's Square; and the Washington monument.
They all have in common the four points with the main post obelisk at their centre.
This pattern includes obvious levitation displays, and can be seen in architecture, sculpture,
paintings, stained glass, kings crowns, and biblical text like the "wheels" revealed in Ezekiel.
Several thought-provoking ideas about this drawing:
1. The cross-shape in the tree of life drawing, has a height divided by horizontal ratio of 1.25
2. The 2.5 x 1.5 x 1.5 Ark box dimensions mentioned in Exodus chapter 25:10 are the same as the
box surrounding the angel's wings (representing the ark machine), and the battery compartment.
3. The box sitting on top of Ed's tripod (see previous image), may have similar box dimensions.
(It had electrical wires coming out of it)
4. Perhaps the letters in this drawing when rearranged may contain more clues.
5. "Franc Baconi", likely Sir Francis Bacon is one of these 4 men.
6. The meaning of the four people and the levitating angel is explained in the next page The Ark.
7. There is a 27-year (3 3) difference between this map dated 1642 and the 1669 Oak Island map.
Again, secret information is often concealed in plain sight, in various art works such as the
Mona Lisa painting by Leonardo da Vinci, written text, architecture ranging from government
buildings to churches and cathedrals.
As well as much older displays like the Nazca lines in South America and the Great Pyramid.
The famous French painter Nicolas Poussin once commented that he had a secret.
In a letter written in 1656, he stated that it was "immensely powerful".
However, he expressed great doubt that anyone would discover it for centuries.
(1656 is midway between the two above mentioned maps dated 1642 and 1669)
Considering the huge effort to hide something they deemed so important, it is very possible that
the answer to this secret levitation knowhow was hidden under Canada's Oak Island, which is part
of the province of Nova Scotia.
Prior to 1600, Nova Scotia was called Arcadia, and an interesting painting exists with this name.